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Lost Transcripts
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Page 1 of 1
Lost Transcripts
by webizoid345 5/29/2010, 9:41 pm
The first one (Pilot Part 1) :
- Spoiler:
- Act 1:
[Shot of Jack's eye opening, looking up at bamboo trees. Overhead shot panning out to show Jack is lying injured in a jungle. Jack sees a dog, slowly gets up, in pain. Finds a little liquor bottle in his pocket. Then he runs though the bamboo and emerges on a tropical beach. He sees plane wreckage and people running around, screaming, in distress. The engine is still spinning. Charlie gets dangerously close to it. Jin yells out in Korean.]
MICHAEL: Walt! Walt!
REDSHIRT: Stay away from the gas! Stay there!
[Shannon screaming. Jack looks up at the wing.]
REDSHIRT #2: [trapped under the piece with the still moving engine] Help! Help! Somebody help me! Help! Help! Ahh, my leg! Ah! Ah!
JACK: Hey you, just give me a hand! You, come on! Come over here, give me a hand! [A group of redshirts (and Locke) gather around to lift the metal piece that's trapping the man.] On the count of three: One, two, three.
[Jack pulls the man out from under. One leg is bloody. Jack starts ripping the man's pants to get to the wound. Jack uses his tie as a tourniquet.]
CLAIRE: Help! Please help me! Help me, please help me!
[Jack sees Claire, who is is pregnant and on her hands and knees.]
JACK: [to a redshirt and Locke] All right, get him out of here! Get him away from the engine! Get him out of here!
[He runs over to Claire through a lot of wreckage.]
CLAIRE: Help me, please. I'm having, I'm having contractions.
JACK: How many months pregnant are you?
CLAIRE: I'm, I'm nearly eight months.
[Jack looks over and sees Boone doing CPR on Rose.]
JACK: [to Claire] How far apart are they coming?
CLAIRE: I don't know, a-a few just happened.
[Shot of Locke and Redshirt carrying bad-leg-guy away. Another guy starts walking in front of the engine and Locke sees him.]
LOCKE: Hey! Hey, hey, hey, get away from there!
[The guy gets sucked into the engine and the engine explodes. Shot of people running. Jack sort of falls on top of Claire to protect her.]
JACK: Listen to me! Look at me! You're going to be okay, do you understand me? But you have to sit absolutely still!
[Jack looking at Boone giving Rose mouth-to-mouth.]
JACK: [to Hurley] Hey, you! Come here! I need you to get this woman away from these fumes! Take her over there. Stay with her. If her contractions occur any closer than three minutes apart, call out for me.
HURLEY: Oh, you got to be kidding me.
JACK: I'll be right back, okay?
CLAIRE: Thank you.
[Jack starts running off.]
HURLEY: Hey! What's your name?
JACK: Jack.
[Jack runs up to Boone and Rose.]
JACK: Stop! Her head's not tilted far back enough. You're blowing air into her stomach.
BOONE: You sure?
[Jack starts giving her mouth-to-mouth. ]
BOONE: That's exactly what I was doing. I'm a lifeguard. I'm licensed.
JACK: Yeah, well, you need to seriously think about giving that license back.
BOONE: Maybe we should do one of those hole things. You know, stick the pen in the throat?
JACK: Yeah, good idea. You go get me a pen.
[Boone runs off to get pens.]
JACK: [doing CPR] Come on. Come on! Come on! Come on!
[Rose breathes.]
JACK: Big deep breaths. Take breaths!
[Sound of metal. Jack looks up to see a big piece of metal high up (the wing) on some of the wreckage starting to wobble. Claire and Hurley are right under where it would fall. Jack runs over to them.]
JACK: [as he's running] Move! Move! Move! Get her up! Get her out of there! The wing!
[Jack, Hurley, and Claire run out of way as there is a huge explosion. A big piece of burning debris lands near Charlie.]
JACK: [to Claire] You okay?
CLAIRE: Yeah.
JACK: [to Hurley] You? [Hurley sort of nods lying on the ground]. Stay with her.
HURLEY: Dude, I'm not going anywhere.
[Jack sort of stumbling around the beach, looks into the fuselage. Takes a moment to steady himself, almost crying.]
BOONE: [walking up holding out a handful of pens] I didn't know which one would work best.
JACK: They're all good. Thanks.
[Shot of Jack going through a suitcase, and finding a sewing kit. Jack going to a deserted part of the beach and taking his jacket and shirt off. He has a big gash on his side. Kate comes walking by, doesn't know Jack is there. Kate rubbing her wrist.]
JACK: Excuse me. Did you ever use a needle?
KATE: What?
JACK: Did you ever … patch a pair of jeans?
KATE: I, uhm, I made the drapes in my apartment.
JACK: That's fantastic. Listen, do you have a second? I could use a little help here.
[Kate walks over to him.]
KATE: And with what?
JACK: With this.
[Jack shows her the wound, and she grimaces.]
JACK: Look, I'd do it myself, I'm a doctor, but I just can't reach it.
KATE: You want me to sew that up?
JACK: It's just like the drapes, same thing.
KATE: No, with the drapes I used a sewing machine.
JACK: No, you can do this. I'm telling you. If you wouldn't mind.
[Jack looks at her pleadingly.]
KATE: Of course I will.
JACK: Thank you. [handing her the little liquor bottle from his pocket] It's for your hands. Save me some for the, for the wound.
[Kate picks up a little sewing kit.]
KATE: Any color preference?
JACK: [laughing] No. Standard black.
[Jack dumps the vodka on his wound.]
[Shot of Sawyer lighting up a cigarette. Looking around. Then walking away, looks like he tosses his smoke down, disgusted-like; Claire standing by the shore; Hurley stacking airline food; Locke sitting alone looking out toward the ocean; Boone getting a "no service" signal on his cell phone.]
BOONE: Come on.
[Shot of Sayid adding wood to a big fire.]
SAYID: [to Charlie] Hey you. What's your name?
CHARLIE: Me? Charlie.
SAYID: Charlie. We need help with the fire. No-one will see it if it isn't big.
CHARLIE: Okay, I'm on it. What's your name?
SAYID: Sayid.
CHARLIE: Sayid. I'm on it, Sayid.
[Shot of Rose kissing the ring on her necklace; Kate sewing up Jack's wound.]
KATE: I might throw up on you.
JACK: [shaking his head] You're doing fine.
KATE: You don't seem afraid at all. I don't understand that.
JACK: Well, fear's sort of an odd thing. When I was in residency, my first solo procedure was a spinal surgery on a 16 year old kid, a girl. And at the end, after 13 hours, I was closing her up and I, I accidentally ripped her dural sac. Shredded the base of the spine where all the nerves come together, membrane as thin as tissue. And so it ripped open. And the nerves just spilled out of her like angel hair pasta, spinal fluid flowing out of her and I … And the terror was just so … crazy. So real. And I knew I had to deal with it. (He's crying). So I just made a choice. I'd let the fear in, let it take over, let it do its thing, but only for five seconds, that's all I was going to give it. So I started to count: One, two, three, four, five. Then it was gone. I went back to work, sewed her up and she was fine.
KATE: If that had been me, I think I would have run for the door.
JACK: No, I don't think that's true. You're not running now.
[Shot of stars in night sky; Charlie writing F.A.T.E. on his taped fingers, sitting next to Sayid.]
SAYID: You think they would have come by now.
CHARLIE: Huh? Who?
SAYID: Anyone.
[Shot of Shannon painting her toenails. Boone comes up, offers her a candy bar.]
SHANNON: As if I'm going to start eating chocolate.
BOONE: Shannon, we may be here for a while.
SHANNON: The plane had a black box, idiot. They know exactly where they are, they're coming. I'll eat on the rescue boat. [He offers the chocolate again]. I'll. Eat. On. The. Rescue. Boat. [Boone eats the chocolate.]
[Shot of Claire sitting on a piece of wreckage. Hurley comes up with a tray of airplane food.]
HURLEY: Hungry?
CLAIRE: Yeah, thanks.
HURLEY: Anymore, uh … you know, baby stuff?
CLAIRE: No. I'm-I'm okay.
HURLEY: Well, hang in there.
CLAIRE: Yeah, you too.
[Hurley's arm comes back into the shot and gives her another meal.]
[Close up of Michael]
MICHAEL: You sure you're warm enough?
[Shot of Walt lying on the beach under a blanket. He just nods, with a far-off look; shot of Jin and Sun.]
JIN: 내 옆에서 엎어지면 안 돼. 내가 어디로 가든지 꼭 따라와. 알겠지? [Sun nods.] 다른 사람 신경쓰지 말고 우린 같이 있어야 돼. [Subtitle: You must not leave my sight. You must follow me wherever I go. Do you understand? Don't worry about the others. We need to stay together.]
[Shot of Kate standing over Jack while he's working on Marshal Mars, examining the Marshal's wound.]
KATE: Do you think he's going to live?
JACK: Do you know him?
KATE: He was sitting next to me.
[Shot of a leaf torn into the shape of an airplane.]
JACK: [off camera at first] We must have been at about 40,000 feet when it happened. Hit an air pocket. Dropped, maybe, 200 feet. The turbulence was … I blacked out.
KATE: I didn't. I saw the whole thing. I knew that the tail was gone, but I couldn't bring myself to look back. And then the, the front of the plane broke off.
JACK: Well, it's not here on the beach. Neither is the tail. We need to figure out which way we came in.
KATE: Why?
JACK: Because there's a chance we could find the cockpit. If it's intact, we might be able to find a transceiver. Send out a signal, help the rescue party find us.
KATE: How do you know all that?
JACK: Took a couple flying lessons. Wasn't for me.
KATE: I saw some smoke. Just through the valley. If you're thinking about going for the cockpit, I'm going with you.
JACK: I don't know your name.
KATE: I'm Kate.
JACK: Jack.
[Metal/weird sound coming from the jungle. Everyone on the beach is looking; Kate looks; Locke looks (the camera pans forward toward him for a close up); Walt looks; Shannon and Boone look.]
SHANNON: What was that?
[Kate looks back at Jack; Charlie and Sayid look.]
CHARLIE: That was weird, right?
WALT: Is that Vincent?
[Walt gets up and goes toward it.]
MICHAEL: [getting up to follow] It's not Vincent.
[Shot of trees moving/getting smashed down.]
CLAIRE: [coming into the frame] Did anybody see that?
HURLEY: [in disbelief] Yeah.
[Boone gets up, moves off.]
SHANNON: Boone!
[Everyone moving toward the sound, except Michael who backs off. Everyone looking out at the trees moving/getting smashed.]
CHARLIE: Terrific.
Act 2[Shot out of airplane window over wing above clouds. Shot of Jack. Sound of cart rolling up.]
CINDY: So, how's the drink?
JACK: It's good.
CINDY: That wasn't a very strong reaction.
JACK: Well, it's not a very strong drink.
CINDY: [hands him two more bottles] Shhh. Just don't tell anyone.
JACK: This of course breaks some critical FAA regulations.
[Jack puts one of the bottles in his coat pocket and drinks the other. He stands up, then Charlie comes by him in the aisle.]
CHARLIE: Excuse me.
CINDY: [in background, to Charlie] Sir, excuse me!
ROSE: [looking at Charlie, then at Jack] Guess he really had to go.
[Two Flight Attendants run by.]
CINDY: Sir, excuse me!
[Jack sits back down. Then there is turbulence. Jack puts on his seatbelt.]
CINDY: [on the intercom] Ladies and gentleman, the pilot has switched on the "fasten seatbelt" sign. Please return to your seats and fasten your seatbelts.
JACK: [to Rose] It's normal.
ROSE: Oh, I know. I've just never been a very good flier. My husband keeps reminding me that planes want to be in the air.
JACK: Well, he sounds like a very smart man.
ROSE: Be sure and tell him that when he gets back from the bathroom.
[The plane is really shaking now.]
JACK: Well, I'll keep you company until he does. Don't worry it's going to be over …
[There's a sudden lurch and one passenger goes flying out of his seat and hits the ceiling. More shaking and screaming. The oxygen masks come down. Jack and Rose put their masks on. Shot of another guy putting his mask on. Shot of ocean, then Jack looking out at the ocean. Rose and a bunch of redshirts in the background.]
MICHAEL: It didn't sound like an animal. Not exactly, I mean.
ROSE: That sound that it made, I keep thinking that there was something really familiar about it.
SHANNON: Really? Where are you from?
ROSE: The Bronx.
CHARLIE: Might be monkeys. It's monkeys, right?
SAWYER: Sure it's monkeys. It's Monkey Island.
HURLEY: Technically, you know, we don't even know if we're on an island.
SAYID: We're on an island.
KATE: [coming up behind Jack] You ready?
JACK: Kate, you showed me where the smoke was. I can get there myself.
KATE: I'm coming.
JACK: [smiling] Well, you're going to need better shoes.
[Shot of a dead body's feet. Kate reaches down to take hiking boots, checks the size. She looks at Locke, who's looking at her. He gives her the "orange" smile. He keeps eating the orange and looks away. She looks slightly freaked out/disgusted.]
[Shot of a group: Michael, Walt, Charlie, Sayid, Boone and Shannon, with Hurley approaching.]
MICHAEL: Whatever it was … it wasn't natural.
CHARLIE: Does anyone have any sun block?
SHANNON: Yeah, I do.
CHARLIE: Ah. Cool.
HURLEY: So, I was just looking inside the fuselage … It's pretty grim in there. You think we should do something about the, uh … [stopping and looking at Walt] b-o-d-y-s?
MICHAEL: What are you spelling, man? "Bodies"?
WALT: B-o-d-i-e-s.
SAYID: That sounds like a good idea.
SHANNON: No! They'll deal with it when they get here.
JACK: [entering] We go out and look for the cockpit. See if we can find a transceiver, to send a distress signal, help the rescue team. (To Boone) You're going to need to keep an eye on the wounded. If the guy in the suit wakes up, try to keep him calm, but don't let him remove that piece of shrapnel. You understand?
BOONE: Yeah, got it. What about the guy with the leg? The, the tourniquet.
JACK: I stopped the bleeding. I took it off last night. He … he should be all right.
BOONE: Yeah. Cool. Good job.
CHARLIE: I'll come with you. I want to help.
JACK: I don't need any more help.
CHARLIE: No, it's cool, I don't really feel like standing still, so. [Jack nods.] Excellent.
[Shot of valley looking out toward sea. You can see Jack, Charlie, and Kate in the distance coming toward camera.]
KATE: May I ask you something?
CHARLIE: Me? I'd be thrilled. I've been waiting.
KATE: Have we ever met, anywhere?
CHARLIE: No, that would be unlikely.
KATE: Hum.
CHARLIE: I look familiar, though, right?
KATE: Yeah.
CHARLIE: [Sighs.] Can't quite place it?
KATE: No, I can't.
CHARLIE: Yeah. I think I know.
KATE: You do?
CHARLIE: [singing] You all everybody … You all everybody! You've never heard that song?
KATE: I've heard it. I just don't know what the hell it is—
CHARLIE: That's us. Drive Shaft. Look, the ring—second tour of Finland. You've never heard of Drive Shaft?
KATE: [incredulous] The band?
CHARLIE: Yeah, the band.
KATE: You were in Drive Shaft.
CHARLIE: I am in Drive Shaft. I play bass.
KATE: Seriously?
CHARLIE: Yeah, Charlie. Track 3, you know, I do backing vocals.
KATE: My friend Beth would freak. She loved you guys.
CHARLIE: Give me Beth's number, I'll call her, I'd, I'd love to.
JACK: Hey—
CHARLIE: Does she live nearby?
KATE: Have you ever heard of Drive Shaft?
CHARLIE: [singing] You all everybody … You all every...body.
JACK: [shakes his head] We've got to keep moving.
KATE: They were good.
CHARLIE: They are good. We're still together. In the middle of a comeback.
[Camera pans down to reveal Vincent; shot of Locke alone on the beach looking out to sea; we see clouds forming, sound of thunder. Shot of Kate, Charlie, Jack in the jungle in the rain.]
CHARLIE: Hey guys, is this normal? Kind of … day turning into night, you know? End of the world type weather. Is this—guys?
[Shot of Locke sitting on the beach with people running around to get out of the rain. Locke just sits there. Jin kicks a guy out from Jin and Sun's little overhang of debris; Hurley runs past Boone and Shannon who are racing to get inside the fuselage.]
HURLEY: I don't know if you want to go in there! There's too many bodies.
[Shot of Michael holding something up (some kind of tarp?) under some debris, puts his arm on Walt's shoulder. Shot of Locke alone on the beach in a sort of meditation pose (music is sort of bittersweet). Locke holds his arms out, turns his face up to the rain, seems happy; we see the Monster in the jungle by the beach. Claire and Rose see it.]
CLAIRE: There it is again.
ROSE: Oh my god.
[Shot of Jack, Kate, Charlie coming upon the cockpit. They all look a bit scared.]
JACK: Well? Let's do this.
Act 3[Shot of Jack, Kate, and Charlie making their way to the cockpit wreckage.]
CHARLIE: Let's get this trans…
JACK: Transceiver.
CHARLIE: Transceiver thing and get out of here.
[We see them climbing up, through the front of the plane. There are dead bodies. Jack can't open the cockpit door, bangs on it with a fire extinguisher.]
JACK: Come on! Come...
[The door opens and a body comes falling out.]
JACK: [to Kate] You okay?
KATE: Yeah. You?
JACK: Yeah.
CHARLIE: I'm fine. Charlie's fine, by the way. Okay?
JACK: [to Kate] Hey. You don't have to come up here.
KATE: No, I'm good.
[Kate and Jack get inside the cockpit.]
KATE: So, what does a transceiver look like?
JACK: Complicated walkie-talkie.
[Kate climbs over the pilot looking for the transceiver when suddenly the pilot takes a breath. Jack and Kate are shocked.]
JACK: Hey! Can you hear me? Hey! Can you hear me? [to Kate] I need that water. [He gives the pilot some water] Hey. Here you go. Hey.
PILOT: How many survived?
JACK: At least 48. Does anything feel broken?
PILOT: No, no. Just my head's a little dizzy, that's all.
JACK: Yeah. It's probably a concussion.
PILOT: How long has it been?
JACK: Sixteen hours.
PILOT: Sixteen? Has anybody come?
JACK: Not yet.
PILOT: Six hours in, our radio went out. No-one could see us. We turned back to land in Fiji. By the time we hit turbulence, we … we were a thousand miles off course. They're looking for us in the wrong place.
PILOT: We have a transceiver.
[The pilot moves to go get it.]
JACK: Good. Good, that's what we were hoping. Listen, you shouldn't try to move.
PILOT: No, no. I'm okay. It's okay. Transceiver's right there. It's right there.
[Kate gets it and hands it to the pilot.]
JACK: [to Kate] Where's Charlie?
[Kate goes to look for Charlie. The pilot is fiddling with the transceiver.]
PILOT: It's not working.
KATE: [going through cabin, seeing two dead bodies] Charlie?
[Charlie comes out of the bathroom.]
KATE: What were you doing in the bathroom?
CHARLIE: What?
[The plane starts shaking. We hear the monster sounds. Shot of Kate and Charlie, Pilot and Jack reacting.]
PILOT: What the hell was that?
JACK: Kate.
[Shot of Kate going back into Cockpit with Charlie's help.]
KATE: It's right outside.
PILOT: What, what's right outside?
JACK: Shhhh.
[Kate looks terrified. We see the shadow of the monster going past window. Jack tries to look out the window to see it. The pilot goes up to try and see it. Briefly hesitating, he first puts the transceiver on the co-pilot's seat, then climbs part way out of an opening above. Charlie comes into the cockpit. The pilot gets snatched out of a broken window. There's blood all over the window.]
CHARLIE: What the hell just happened?
[Big crashing and shaking. Jack reaches for the transceiver just before it falls. The cockpit falls to the ground from its inclined position. Jack is reaching for the transceiver.]
KATE: Jack, come on!
CHARLIE: Just leave it!
[Jack grabs it. They run. Monster sounds, running, anxious music. Charlie falls. His leg is trapped in some vines.]
CHARLIE: [shouts] Hey!
[Jack goes back to rescue him.]
JACK: Okay, let's run.
[Kate keeps running and ends up alone.]
KATE: [terrified] J-J-J … Jaaaack! [Big door slamming sound/big footstep sounds. Kate is trying to compose herself] One! Two! Three! Four! Five!
Act 4[Shot of Kate, she hears something and looks off. Charlie comes up behind her, she turns to find him and knocks him down.]
CHARLIE: Kate!
KATE: Where the hell is Jack?
CHARLIE: I don't know!
KATE: Did you see him?
CHARLIE: Yeah, he pulled me up!
KATE: Where is he?
CHARLIE: I don't know!
KATE: How can you not know?
CHARLIE: We got separated! Look, I … I fell down, and he, he came back for me, that thing was just…
KATE: Did you see it?
CHARLIE: No. No! But it was right there. We were dead! I was. An-And then Jack came back, and he, he pulled me up. I don't know where he is.
[Kate looks around.]
KATE: We have to go back for him.
CHARLIE: Go back? There? Kate, there's a certain gargantuan quality about this thing.
KATE: Then don't come.
[Kate walks off, Charlie gets up to follow (reluctantly).]
CHARLIE: Kate!
[Shot of jungle. Kate and Charlie walking around.]
CHARLIE: I heard you shout. I heard you shout "Jack". I'm Charlie, by the way.
[Kate sees something.]
CHARLIE: What is that?
[Kate picks up pilot's wings from the muddy ground. Shot shifts focus from wings to the reflection in the water where they see the pilot's body in the tree above them.]
CHARLIE: What is…
JACK: [approaching] It's the pilot.
KATE: Did you see it?
JACK: No. It was right behind me, but … I dove into the bushes.
CHARLIE: [pointing up to the pilot in the tree] Guys? How does something like that happen?
[Shot of bloody pilot in the treetop, bloody and with face-skin torn off, but not eaten.]
Last edited by webizoid345 on 5/31/2010, 5:56 pm; edited 1 time in total
webizoid345- Customers
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Re: Lost Transcripts
by webizoid345 5/30/2010, 11:53 am
Number 2 (Pilot part 2) :
- Spoiler:
- Act 1:
[Shot of Kate, Charlie, Jack walking in woods. No rain or clouds. Jack is trying the transceiver.]
CHARLIE: Anything?
JACK: You keep asking if there's anything.
CHARLIE: Pardon me for appearing desperate, but before the pilot was ripped from the cockpit, he did say that no-one's going to find us unless we … get that transceiver working. So … is there anything?
JACK: No.
CHARLIE: Okay.
KATE: [to Charlie] What were you doing? In the bathroom?
CHARLIE: I thought you could tell. I was getting sick. Puking. My one tangible contribution to the trek.
KATE: No. I'm glad you came. Charlie.
CHARLIE: Every trek needs a coward.
KATE: You're not a coward.
[Long shot of Charlie's reaction. We hear a tapping sound. FLASHBACK to Charlie on the airplane, tapping his ring against the seat's armrest, looking miserable.]
CINDY: You all right, sir?
CHARLIE: I'm good. Thanks.
CINDY: Can I get you a water, or…
CHARLIE: [irritated] I'm fine. Thank you. Please?
CINDY: [nodding, but looking unconvinced] All right.
[Shot of Charlie looking back down the aisle to see some Flight Attendants talking in the back of the plane. Cindy starts walking toward Charlie who bolts (this is where he bumps into Jack).]
CHARLIE: Excuse me.
ROSE: Guess he really had to go.
CINDY: Sir, excuse me! [getting angry] Sir, excuse me!
[Charlie's trying to get into a bathroom, but they are locked. He bolts again away from the flight attendants that are following him. He's goes through the row where Shannon and Boone are.]
SHANNON: [annoyed] Excuse me?
[The turbulence starts. Cindy reaches for an intercom panel.]
CINDY: Ladies and gentlemen, the Captain has turned on the "fasten seatbelt" sign. Please return to your seats and fasten your seatbelts.
[Charlie gets into a bathroom and locks the door. He takes off his shoe to reveal a baggy of heroin.]
JD: [through the bathroom door] Sir, are you all right?
CHARLIE: Just a minute. [Charlie takes some of the drugs. We hear knocking.] Just a minute.
JD: I'm gonna have to ask that you open the door, please.
[Charlie looking into the mirror with a drugged out/relieved look on his face. We hear more knocking.]
JD: Open the door now, sir. Sir!
[Charlie drops the drugs into the sink, then goes to open the cabinet beneath (presumably to make the drugs fall down there?) Suddenly there's a big bump of turbulence, and Charlie goes flying into the ceiling. He opens the door and falls down with a food cart rolling toward him. He rolls out of the way just in time, crawls to a seat and puts the seatbelt and oxygen mask on.]
Act 2[Shot of Shannon sunbathing. Boone enters.]
BOONE: Hey. We're going through some clothes. Sorting them. I see you found your bag. Come on, you want to give us a hand?
SHANNON: Not really. You're wasting your time. They're coming.
[Boone walks away.]
CLAIRE: [sitting next to Shannon] Is that your boyfriend?
SHANNON: My brother. Boone. God's friggin' gift to humanity.
CLAIRE: I used to have a stomach.
SHANNON: You know what it is?
CLAIRE: Not yet. I haven't felt the baby move since yesterday.
[Shot of tide pool. Jin getting an urchin. Sun looking on. Michael enters.]
MICHAEL: Uh, excuse me. Hey, uh … have you, uh … have you seen my boy?
SUN: 죄송해요. 저 영어 못 해요. 아 … 저, 제가 영어를 못 해요.
JIN: 윗 단추가 열렸네. 채워라. 빨리!
[Jin motions for Sun to button her top button; Sun obeys.]
MICHAEL: I'm sorry. [Walks off camera] Walt! Walt?
[Shot of Walt carrying a leash.]
WALT: Vincent! Vincent! Come here, boy!
[Walt finds handcuffs lying on the ground.]
MICHAEL: [running up] Hey! What did I tell you? After everything that's happened!
WALT: I thought that maybe Vincent would be around!
MICHAEL: I told you to stay on the beach!
WALT: This is so close to the beach, I thought this would be okay…
MICHAEL: Don't do that. You listen to me. I mean what I say. You understand?
[Walt gives him a dirty look. Michael looks down to see the handcuffs in Walt's hands.]
MICHAEL: What is this?
WALT: I just found it.
[Michael looks around, worried.]
MICHAEL: [putting a protective arm around Walt] Come here.
Act 3[We see a fight between Sawyer and Sayid on the beach. People standing around watching.]
MICHAEL: Hey guys. Come on, man. Hey.
JACK: Hey. Break it up. Break it up! Come on!
MICHAEL: That's it! It's over!
JACK: That's it!
SAWYER: Son of a bitch!
SAYID: I'm sick of this redneck!
SAWYER: You want some more of me, boy?
SAYID: Tell everyone what you told me! Tell them that I crashed the plane! Go on! Tell them I made the plane crash!
SAWYER: The shoe fits, buddy!
JACK: What is going on?
SAYID: Ibn Al-Kalb!
JACK: What's going on?
MICHAEL: [handing the handcuffs to Jack] Look, my kid found these in the jungle.
SAWYER: And this guy was sitting in the back row of business class, the whole flight, never got up. Hands folded underneath the blanket.
SAYID: Oh.
SAWYER: And for some reason - just pointin' this out - the guy sittin' next to him didn't make it.
SAYID: Thank you so much for observing my behavior.
SAWYER: You don't think I saw them pull you out of line before we boarded?
[Sayid tries to get to Sawyer again to hit him.]
SAWYER: Come on, bring it!
KATE: [loud] Stop!
[Sayid backs off.]
KATE: We found the transceiver, but it's not working. Can anybody help?
SAYID: Yes. I might be able to.
SAWYER: Oh great. Perfect! Let's trust this guy!
HURLEY: Hey! We're all this together, man. Let's treat each other with a little respect.
SAWYER: Shut up, Lardo.
JACK: Hey! Give it a break.
SAWYER: Whatever you say, doc. You're the hero.
BOONE: You guys found the cockpit? [Jack nods] Any survivors?
JACK: No.
SAYID: [looking at the transceiver] It's dual band, military spec. Chances are, the battery is good, but - the radio is dead.
KATE: Can you fix it?
SAYID: I need some time.
ROSE: [approaching] Doctor, the … man with the shrapnel, I … I think you should take a look at him.
[Shot of Sayid sitting on the beach, opening the transceiver. Hurley enters.]
HURLEY: Tsss. Chain-smoking jackass…
SAYID: Some people have problems.
HURLEY: Tsss. Some people have problems? Us. Him. You're okay. I like you.
SAYID: You're okay, too.
HURLEY: [laughs] Hurley. [He reaches out to shake Sayid's hand, then sees he's busy with the transceiver and puts it down] Uh, just…
SAYID: [reaching to shake hands] Sayid.
HURLEY: How do you know to do all that?
SAYID: I was a military communications officer.
HURLEY: Oh yeah? You ever see battle?
SAYID: I fought in the Gulf War.
HURLEY: No way! I got a buddy who fought over there. He was in the 104th airborne. What were you - Air Force … Army?
SAYID: The Republican Guard.
[Shot of the ocean. Kate is bathing.]
SUN: 실례합니다. 준비 다 됐나 봐요. 당신을 찾아요.
[Sun points to indicate that Kate is wanted somewhere]
[We see Kate walking to Sayid on the beach, drying her hair.]
KATE: Is it working?
SAYID: Seems to be. Except we're not picking up a signal.
KATE: Why do we need to pick up a signal? Aren't we trying to send one?
SAYID: Yes, but what you want to see here is little bars. The bars would show the radio is getting reception.
KATE: We need the bars.
SAYID: We could broadcast blind … Hope that someone—maybe a ship somewhere—picks up our distress call. But that could be a waste of the battery, which might not last that long. There is one thing we could try…
KATE: What?
SAYID: Seeing if we can get a signal from high ground.
KATE: How high?
[Sayid looks up. Camera pans high up the mountain.]
[Shot of Marshal Mars with shrapnel, Jack is working on him. Suddenly Kate is there, and Jack seems surprised.]
KATE: How is he? Can you do anything?
JACK: Pull out the shrapnel.
KATE: But you said yesterday that if you took it out…
JACK: I know. But that was yesterday. I was hoping he'd be at a hospital by now. If I leave him like this, he'll be dead within a day. If I open him up … if I can control the bleeding and if he doesn't go into sepsis and if I can find some antibiotics … he might be all right.
KATE: I'm going on a hike.
JACK: Sorry?
KATE: Sayid fixed the transceiver, but we can't use it. Not from here.
JACK: Kate, wait a minute.
KATE: You're the one who said that we had to send out a signal.
JACK: Look, you saw what that thing did to the pilot.
KATE: Yeah, I did. What makes you think we're any safer here than we are in the jungle?
JACK: Wait for me. I don't know how long this will be … [he look at Marshal Mars.]
KATE: Sayid said the batteries won't last.
JACK: All right. If you see, or hear, anything … Anything. Run.
Act 4[We see Sun and Jin at the beach. Jin is cutting up the urchin. Sun reaches for a piece and he slaps her hand. He takes off with a tray of it. She looks disgusted and undoes her top button.]
[Shot of Jin offering urchin to Hurley.]
HURLEY: What's that? What, that? What, eat that? [laughs] Dude. Dude. I'm … starving … But, I'm nowhere near that hungry. [laughs] No. No. No, thank you! No way, no. [laughs]
[Shot of comic book with polar bear. Comic book is in Spanish.]
MICHAEL: The comic's in Spanish. You … read Spanish?
WALT: No. I found it.
MICHAEL: Tell you what: We get home … I get you another dog.
[Walt walks away. Shot of Charlie getting his drugs out. Then we see Hurley on the beach, Jack comes up.]
JACK: Hey! I need your help.
HURLEY: Okay.
JACK: I need you to help me go through the luggage. I need any kind of prescription medications you can find. Especially drugs that end in -mycin and -cillin. Those are antibiotics.
HURLEY: What's this for?
[Shot of Charlie doing drugs. Then of Shannon almost crying. Boone comes up.]
BOONE: What are you doing?
SHANNON: I think I was mean to him.
BOONE: What?
SHANNON: Isn't that the guy from the gate? He wouldn't let us have our seats in first class. He saved our lives.
BOONE: Come on, Shannon, we're trying to clear some of the wreckage. You should help out. You're just being worthless over here.
SHANNON: I'm being what?
BOONE: What do you want me to say? You're sitting on your ass staring at bodies.
SHANNON: I've just been through a trauma here, okay?
BOONE: We've all been through a trauma. The only difference is, since the crash, you've actually given yourself a pedicure.
SHANNON: You know what? It is so easy to make fun of me, and you're good at it. I get it.
BOONE: I wish I didn't have to waste my time making fun of you. I wish I didn't have a reason. Yeah, it is easy, Shannon.
SHANNON: Screw you, you do not have the slightest idea what I am thinking.
BOONE: I have a much better idea than you think I do.
SHANNON: No, you don't!
BOONE: Okay, Shannon. Then what are you thinking?
[Shannon sees Kate and Sayid preparing to leave.]
SHANNON: I'm going with them. On the hike.
BOONE: Yeah?
SHANNON: Yup. I'm going.
BOONE: No, you're not, Shannon. Shannon!
SHANNON: [approaching Kate and Sayid] I'd like to come with you.
BOONE: She's not going. She doesn't want to go.
SHANNON: The hell I'm not.
BOONE: It's what she does. She postures.
SHANNON: You don't know what the hell I do!
BOONE: Makes really bad decisions to upset her family, which, at the moment, is me.
SHANNON: Shut up, and stop trying to be charming. [to Kate and Sayid] I'm coming with you.
KATE: I don't … know if that's such a good idea.
SHANNON: What are you? Two years older than me? Please. [to Charlie who has entered] You're going, aren't you?
CHARLIE: Yeah, are you?
SHANNON: Yup.
CHARLIE: Yeah, I'm definitely going.
KATE: Look, everybody can come. But we're leaving now.
CHARLIE: [to Shannon] You couldn't tell from that, but she's actually really nice.
[Shot of Sawyer smoking, reading his letter. He sees the others walking off.]
[We see the "hikers" in the jungle and Sawyer is closing up to them.]
KATE: You decided to join us.
SAWYER: I'm a complex guy, sweetheart.
[Shot of them making their way up a steep mountain.]
[Shot of Michael on the beach where Walt left him. Jack comes into the frame and opens a make-up type bag, looking for something.]
MICHAEL: What you're looking for?
JACK: Some sort of blade. How's your son?
MICHAEL: Walt? Yeah, I think he'll be all right.
JACK: How old is he?
MICHAEL: Nine … Ten—Ten. Walt's more worried about his dog than anything. The dog was on the plane, so … Kids, you know.
JACK: Is it a Lab?
MICHAEL: Yeah.
JACK: Yeah? I saw him yesterday, in the jungle.
MICHAEL: What? Where?
JACK: Over there. Couple hundred yards in or so. He looked good.
[Jack finds a straight-edge razor. Shot of Locke with the Backgammon pieces. Walt approaches, curious.]
WALT: What is it, like checkers?
LOCKE: Not really, it's a better game than … checkers. You play checkers with your Pop?
WALT: No. I live in Australia with my mom.
LOCKE: You have no accent.
WALT: Yeah, I know. We move a lot. She got sick. She died a couple of weeks ago.
LOCKE: You're having a bad month.
WALT: I guess.
LOCKE: Backgammon is the oldest game in the world. Archeologists found sets when they excavated the ruins of ancient Mesopotamia. Five thousand years old. That's older than Jesus Christ.
WALT: Did they have dice and stuff?
LOCKE: [nods] Mhhm. But theirs weren't made of plastic. Their dice were made of bones.
WALT: Cool.
LOCKE: Two players. Two sides. One is light … one is dark. Walt, do you want to know a secret?
[Shot of Claire writing in her diary. Jin approaches and offers her some urchin. She shakes her head, but then gives in and takes some.]
CLAIRE: No. Tha- thank you. No, it's okay. [Jin keeps insisting] No, really. Okay. Thanks.
[She eats some and then feels her baby move. She jumps up and makes Jin touch her belly.]
CLAIRE: Oh, gosh. I just felt it. I ju … Come here, feel this. Please. [Jin resists, but Claire keeps insisting]. Please. Please. Do you feel that? There! Right there, that's a kick! There! There, right there's a foot! Oh no, he's, wait, he's moving around. "He". "He". I guess I think you're a "he".
[Shot of group in jungle.]
SAWYER: Okay! Wide open space! You should check the radio, see if we're good.
SAYID: We're not going to have any reception here.
SAWYER: Just try it.
SAYID: I don't want to waste the batteries.
SAWYER: I'm not asking you to keep it on all day.
SAYID: We're still blocked by the mountain.
SAWYER: Just check the damn radio!
SAYID: If I just check … we might not have any juice left when we get to…
[They all turn toward a sound they hear. Sounds of growling, movement.]
SHANNON: My god.
BOONE: What the hell's that?
KATE: Something's coming.
CHARLIE: It's coming towards us, I think.
KATE: Come on, let's move.
[They all start running off.]
SHANNON: I shouldn't have come. Aah!
SAYID: Go! Go!
[Shot of them running, but Sawyer stands and faces the bear.]
KATE: [turning to go back] Sawyer!
SAYID: [grabbing Kate] Let him go!
[Sawyer pulls out a gun and shoots serveral times. The bear drops just as it almost gets to Sawyer.]
SHANNON: That's … that's a big bear.
BOONE: You think that's what killed the pilot?
[Kate looks at Charlie.]
CHARLIE: No. No, that's a tiny, teeny version compared to that.
KATE: Guys, this isn't just a … bear. That's a polar bear.
Act 5[Shot of Jack and Hurley with Marshal Mars getting ready to take out the shrapnel.]
HURLEY: You sure he's out?
JACK: He's out.
HURLEY: How do you know he won't wake up when you yank that thing out?
JACK: I don't.
HURLEY: Hey, guy, are you awake? Yo, there's a rescue plane! We're saved! Yaaay! [Marshal Mars doesn't react at all.] Yeah, he's out. So—what do you want me…
JACK: Look, it's unlikely that he'll regain consciousness. But the pain might bring him around. And if it does, I need you to hold him down.
HURLEY: Uh … I'm not so good around blood, man.
JACK: Then don't look.
HURLEY: Yeah. But … I'm not so good around blood.
JACK: Just do the best you can. Okay? Don't look.
HURLEY: Okay [looks like he's praying or something, mumbling something to himself].
[Jack pulls the shrapnel out.]
HURLEY: Dude.
JACK: Hand me those strips.
HURLEY: Dude.
JACK: Just hand me the strips, I need to get this bleeding stopped.
HURLEY: I don't think I can.
JACK: Oh.
HURLEY: "Oh" what? What, what's going on, something in there? [Hurley looks down]
JACK: The strips. Just hand me the strips. Give it to me. [Hurley looks sick.] Don't even think about it, Hurley. Don't even think a … Hurley! Hey! [Hurley passes out on the Marshal] Damn it!
[Shot of the group in the jungle.]
BOONE: That can't be a polar bear.
SAYID and KATE: [at the same time] It's a polar bear.
SHANNON: Yeah, but … Polar bears don't usually live in the jungle.
CHARLIE: Spot on.
SAYID: No, polar bears don't live near this far south.
BOONE: This one does.
SAWYER: Did. It did.
KATE: [to Sawyer] Where did that come from?
SAWYER: Probably Bear Village. How the hell do I know?
KATE: Not the bear. The gun.
SAWYER: I got if off one of the bodies.
SAYID: One of the bodies.
SAWYER: Yeah, one of the bodies.
SHANNON: People don't carry guns on planes.
SAWYER: They do if they're a US Marshal, sweet cheeks. There was one on the plane.
KATE: How do you know that?
SAWYER: I saw a guy lying there with an ankle holster, so I took the gun. I thought it might come in handy. Guess what? I just shot a bear.
KATE: So why do you think he's a Marshal?
SAWYER: Because he had a clip-on badge. [Sawyer holds up a badge] I took that too. Thought it was cool.
SAYID: I know who you are. You're the prisoner.
SAWYER: I'm the what?
SAYID: You found a gun on a US Marshal. Yes, I believe you did. You knew where it was, because you were the one he was bringing back to the States. Those handcuffs were on you. That's how you knew there was a gun.
SAWYER: Piss off.
SAYID: That's who you are, you son of a bitch.
SAWYER: Be as suspicious of me as I am of you.
SAYID: But you are the prisoner.
SAWYER: Fine! I'm the criminal. You're the terrorist. We can all play a part. [to Shannon] Who do you want to be?
[As Sawyer turns, Kate grabs the gun and points it at him.]
KATE: Does anybody know how to use a gun?
CHARLIE: I think you just pull the trigger.
SAYID: Don't use the gun.
KATE: I want to take it apart.
CHARLIE: Oh.
SAYID: There's a button on the grip. Push that, it will eject the magazine. [Kate follows Sayid's instructions.] There's still a round in the chamber. Hold the grip, pull the top part of the gun.
[Kate follows Sayid's instructions and gives the magazine to Sayid and the gun to Sawyer.]
SAWYER: [grabbing Kate's arm] I know your type.
KATE: I'm not so sure.
SAWYER: Yeah. I've been with girls like you.
KATE: No girl's exactly like me.
[Kate walks off a ways and then we get a FLASHBACK].
[Shot of Kate on the plane.]
MICHELLE: Can I get you a refill?
KATE: No, I'm … I'm fine with this, thank you.
MICHELLE: You, sir? Can I get you anything? Cocktail? Soda?
MARSHAL: Just coffee, sweetheart. Black.
MICHELLE: [looking disgusted] Coffee. Sure.
MARSHAL: You look worried. I'd be worried too, I was you. But you've got to stay positive, kiddo. You know, there's always that off chance that they'll believe your story. I know I sure do.
KATE: I don't care what you believe.
MARSHAL: Oh, I know. That's true. That has always been true. You sure you don't want some more juice?
KATE: Yeah, I'm sure.
[Shot of Kate with hands cuffed. Then the turbulence starts to happen.]
CINDY: [on the intercom] Ladies and gentlemen, the Captain has switched on the "fasten seatbelt" sign. Please return to your seats and fasten your seatbelts.
KATE: I have one favor to ask.
MARSHAL: Really? This ought to be good. What…
[The turbulence causes the big drop with a woman hitting the ceiling. A big black/silver case hits the Marshal on the head. He passes out. The masks come down and Kate can't reach because of the handcuffs. She gets the key from the Marshal's pocket and unlocks the handcuffs. She puts her mask on and then puts a mask on the Marshal. The back of the plane rips off. Cut back to the group standing on the hill.]
SAYID: We should keep moving.
[Shot of Jack with the Marshal. The Marshal wakes up and grabs Jack's shirt.]
JACK: No. No.
MARSHAL: Where is she?
JACK: Who?
[Shot of Kate walking with the group. Sayid getting the transceiver out.]
SAWYER: Oh! Now's a good time to check the radio! Not before.. but now!
SAYID: We're up higher.
SAWYER: Yes, we are!
SAYID: Bar. Hey! We've got a bar! Mayday! Mayday! [we hear feedback]
KATE: What is that?
SAYID: Feedback.
KATE: Feedback from what? What would do that?
SAYID: I don't know.
SAWYER: I'll tell you what would do that. This guy not fixing the radio. This thing doesn't even work.
SAYID: No. No, no, no, no, it's not broken. We can't transmit because something else is already transmitting.
CHARLIE: Transmitting from where?
SHANNON: What?
SAYID: Somewhere close. The signal's strong.
CHARLIE: Somewhere close? You mean on the island? That's great!
BOONE: Maybe it's other survivors.
SHANNON: From our plane? How would they even—
SAWYER: What kind of transmission is it?
SAYID: Could be a sat phone, maybe a radio signal…
KATE: Can we listen to it?
SAYID: Let me get the frequency first. Hold on.
SAWYER: There's no transmission.
KATE: Shut up.
CHARLIE: The rescue party. It has to be. [They hear the transmission]. It's French! The French are coming! I've never been so happy to hear the French!
KATE: I never took French. What does she say?
SAYID: D-Does anybody speak French?
BOONE: She does.
SHANNON: No, I don't. What?
BOONE: What the hell are you talking about? You spent a year in Paris!
SHANNON: Drinking, not studying!
[We hear a male voice from the radio.]
RADIO: Iteration 7294531.
CHARLIE: Okay. What's that?
SAYID: Oh, no, no, no, no, no, no, no, no, no, no.
KATE: "No, no, no" what?
SHANNON: What "no"?
SAYID: The-the batteries are dying!
KATE: How much time do we have?
SAYID: Not much.
BOONE: I've heard you speak French! Just listen to this! Listen to it!
SHANNON: I can't!
SAWYER: You speak French or not? Because that would be nice.
RADIO: Iteration 17294532.
CHARLIE: That voice is weird. What is that?
BOONE: Come on. Come on, Shannon!
KATE: Come on!
SAYID: [moving his lips silently] Come on!
[We can hear some of the transmission: Il est dehors.]
SHANNON: It's … it's repeating.
SAYID: She's right.
BOONE: What?
SAYID: It's a loop. "Iteration"—it's repeating the same message. It's a counter. The next number will end … "533".
RADIO: Iteration 17294533.
SAWYER: Does anyone know what the hell he's talking about?
SAYID: It's a running count of the number of times the message has repeated. It's roughly thirty seconds long, so … how long … [we see him trying to figure it out in his head].
SAWYER: Don't forget to carry the one, chief.
RADIO: Iteration 17294534.
SHANNON: She's saying … "Please". She's saying, "Please help me. Please, come get me."
SAWYER: Or she's not! You don't even speak French!
KATE: Let her listen!
BOONE: Shut up, man!
CHARLIE: Guys, the battery. The battery.
RADIO: Iteration 17294535.
SHANNON: [translating] I'm alone now. Uhm … On the island alone. Please, someone come. The others, they're … they're dead. I-it killed them. I-it killed them all.
BOONE: That was good.
SAYID: Sixteen years.
SAWYER: What?
SAYID: Sixteen years. And five months. That's the count.
BOONE: What the hell are you talking about?
SAYID: The iterations. It's a distress call. A plea for help. A mayday. If the count is right … It's been playing over … and over … for sixteen years.
BOONE: Someone else? Was stranded here?
KATE: Maybe they came for them.
SAWYER: If someone came, why is it still playing?
CHARLIE: Guys. Where are we?
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Re: Lost Transcripts
by webizoid345 5/31/2010, 6:00 pm
Third episode!!!(Tabula Rasa) :
- Spoiler:
- Act 1:[Shot of people at the beach sorting through luggage. Claire and redshirts sorting through some papers. Scene changes to Jack and the Marshal.]
MARSHAL: Don't trust her. She's dangerous.
JACK: You should try not to move, man.
MARSHAL: Have to find her. Have to bring her back.
JACK: Yeah, you keep saying that. And every time I ask you who you have to bring back you pass out on me again. Since your fever's running pretty high, I'm guessing you have no idea who you're talking about.
MARSHAL: My cuffs, my handcuffs. Where are my cuffs?
JACK: What?
MARSHAL: My jacket pocket.
JACK: I don't …
MARSHAL: Jacket pocket.
JACK: Okay.
[Jack gets a piece of paper out of the Marshal's jacket pocket and unfolds it.]
MARSHAL: Dangerous. She's dangerous.
[Shot of Kate's mug shot wearing a sign that says: Harrison Valley Police with the numbers 961136 below (there are some other numbers, staggered, that don't look like part of the series (3 9 81 4 64).]
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[Shot of Kate, Sawyer, Boone, Sayid, Shannon walking back to the beach from the trek to try the transceiver.]
BOONE: It's getting dark.
SAWYER: Then pick up the pace.
BOONE: Hick.
SAWYER: Little louder?
SAYID: We should make camp.
SHANNON: What, here?
SAYID: Yes, here.
SAWYER: I'm not stopping. You all have a nice cookout.
SAYID: Excellent, walk through the jungle in the dark.
SAWYER: Oooo, afraid the trees are going to get us?
SAYID: No, what is knocking down the trees will get you.
SAWYER: [pulling out the gun] Well, if you're so worried about me, how about you give me the clip back?
KATE: Put the gun back in your pants, Sawyer. Sayid's right, if you keep walking you're not going to make it to the beach.
SAWYER: Yeah, why's that?
[Shot of Charlie looking away.]
KATE: Trust me.
[Shot of the group around a fire at night. Sayid putting a rock on the ground, and holding a torch.]
SAYID: This is Australia [indicating the rock]. This is us [indicating the torch].
SAWYER: Nice stick.
SAYID: Two days ago we take off from Sydney. We fly along the same north east route every commercial airliner bound for Los Angeles does. Now the pilot, he said he lost communication with the ground, correct?
KATE: Yeah, 6 hours in. He turned around and headed for Fiji.
SAYID: So, we changed course. Regrettably, no one knew we changed course. The turbulence hit. We know the rest. [Sayid puts the torch's fire out.]
KATE: The pilot said we were over a thousand miles off course.
CHARLIE: Yeah, but, they'll find us. They have satellites in space that can take pictures of your license plate.
SAYID: If only we were all wearing license plates.
CHARLIE: Well, aren't you the pessimist.
SAYID: Basic photography - point and shoot. Satellites can shoot, but they must be told where to point.
CHARLIE: Oh. Bollocks.
SAWYER: Okay, really enjoyed the puppet show. Fantastic. But we're stuck in the middle of damn nowhere. How about we talk about that other thing? You know that transmission Abdul picked up on his little radio? The French chick that said, "They're all dead." The transmission's been on a loop for … how long was it, Freckles?
KATE: 16 years.
SAWYER: Right. Let's talk about that.
BOONE: Well, we have to tell the others when we get back.
SHANNON: Tell them what, exactly?
BOONE: What we heard.
SHANNON: You didn't hear anything. I'm not a stupid translator.
SAYID: No one's going to tell them anything. To relay what we heard without fully understanding it will cause a panic. If we tell them what we know we take away their hope. And hope is a very dangerous thing to lose.
KATE: So we lie.
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[Shot of Jack and Hurley at the beach making a shelter.]
HURLEY: Was it a dinosaur?
JACK: It wasn't a dinosaur.
HURLEY: You say you didn't see it.
JACK: I didn't.
HURLEY: So how do you know it wasn't a dinosaur?
JACK: Because dinosaurs are extinct.
HURLEY: Oh. Yeah. [Looking at the Marshal.] So what's his story? He looks kind of … dying.
JACK: He's not going to die.
HURLEY: He's yellow, man.
JACK: His wound is infected, but the antibiotics will fight it off.
HURLEY: What if they don't?
JACK: Then his body will shut down one piece at a time. His abdomen goes rigid, then …
HURLEY: He looks like he's in pain.
JACK: Yeah.
[Hurley picks up the mug shot of Kate.]
HURLEY: What's this? Uh, dude? Uh … [Jack grabs the mug shot] What do you think she did?
JACK: It's none of my business.
HURLEY: She looks pretty hard core.
JACK: Hurley … [Jack says this in a tone that indicates he doesn't want to talk about it, and goes back to doing something else.]
Act 2[Shot of Sayid and group sleeping at their camp. Someone sneaks over and takes the magazine from Sayid who wakes up.]
SAYID: What are you doing?
[Everyone wakes up.]
BOONE: [with the gun in his hand] Standing guard. You heard what they said is out there.
SAWYER: You took my gun off me, boy?
SHANNON: [to Boone] Please, you've never even held a gun. [to the group] He doesn't believe in guns. He's goes on marches.
BOONE: I don't go on marches.
SAYID: Give it back to me.
SAWYER: Yeah, give it to Al Jazeera, he'll protect us.
CHARLIE: Al Jazeera is a network.
BOONE: I'll keep the damn gun.
SHANNON: We should give it to her. [indicating Kate]
CHARLIE: Yeah, Kate should hold the gun.
SAYID: Fine with me. Well?
[Boone gives the gun to Kate.]
--------------------------------------------------------------------------------
[Shot of Kate sleeping on hay. The sound of a shotgun being cocked waking her.]
RAY: Good morning.
KATE: Morning.
RAY: You were sleeping in my sheep pen.
KATE: Sorry.
[Ray lowers his gun and Kate gets up.]
RAY: How'd you get here?
KATE: I walked.
RAY: You walked?
KATE: Yeah.
RAY: From where?
KATE: Town.
RAY: Nearest town's 15 kilometers.
KATE: Maybe that's why I was so exhausted.
RAY: What's your name?
KATE: Annie.
RAY: You hungry, Annie?
[Scene changes to Kate (Annie) and Ray in the farmer's kitchen. Kate is eating and obviously very hungry.]
RAY: So you want to tell me why you're trespassing on my property?
KATE: I ran out of money.
RAY: You're an American.
KATE: Canadian. I graduated from college and figured I'd see the world. Australia was top of my list so I hopped a flight to Melbourne but I don't know anybody here so I figured I'd walk for awhile, you know.
RAY: Melbourne's 100 kilometers from here.
KATE: I like walking.
RAY: And you just happened to wonder onto my farm.
KATE: I like farms, too.
RAY: Do you know how to work one?
KATE: Yeah.
RAY: My wife died 8 months ago Wednesday. She left me with too many chores and a hell of a mortgage. If you help me with the first one, I'll give you a fair wage and a place to stay.
KATE: Deal.
[Kate reaches to shake his hand. He pulls his arm up and sets in the table with a thud and raps it a couple of times to show it's artificial.]
RAY: No. I'm a lefty.
--------------------------------------------------------------------------------
[Shot of Hurley running on the beach toward the infirmary Jack has made.]
HURLEY: Dude, dude, they're back.
[Shot of Sayid with a group gathered around him on the beach.]
SAYID: As you and the others know, we hiked up the mountain in an attempt to help the rescue team locate us. The transceiver failed to pick up a signal. We weren't able to send out a call for help. [Shot of Kate and Shannon.] But we're not giving up. If we gather electronic equipment - your cell phones, laptops - I can boost the signal and we can try again, but that may take some time. So for now, we should begin rationing our remaining food. If it rains, we should set up tarps to collect water. I need to organize 3 separate groups. Each group should have a leader. [Shot of Jack walking up.] One group for water - I'll organize that. Who's going to organize electronics? [Kate starts walking toward Jack.] You? Rationing food? Okay. And I believe a third group should concern themselves with the construction of …
[Shot of Hurley watching Kate as she approaches Jack.]
KATE: Hi.
JACK: Hey.
KATE: I, um, I need to tell you something.
JACK: Okay, sure.
KATE: We couldn't send out a signal because there was another signal blocking it. The other signal - we heard it. It was a distress call from a French woman. She said that the others were dead - something had killed them all. She was alone on the island. It's been playing for 16 years, Jack. I wanted to tell you.
JACK: Anything else?
KATE: [looking toward the infirmary] How is he - the man with the shrapnel in his side?
JACK: It's touch-and-go.
KATE: He wake up?
JACK: No, just for a few seconds during the surgery.
KATE: He say anything?
JACK: No.
Act 3[Shot of people busy at the beach. Jack and Hurley carrying airline seats.]
HURLEY: So what'd she say?
JACK: She didn't say anything.
HURLEY: But you told her you knew?
JACK: I don't know anything.
HURLEY: Well, you kind of know she's in that mug shot. And that we found those handcuffs. And that guy keeps mumbling "she's dangerous, she's dangerous" over and over.
JACK: It's not my business. Not my problem.
HURLEY: Yeah, you're right. We'll let Johnny Fever take care of her when he gets better.
JACK: He's not getting better if we don't get some stronger antibiotics.
HURLEY: That stuff I got from the luggage …
JACK: It's for ear infections and foot fungus.
HURLEY: We went through everything, man.
JACK: What about that luggage in the overhead compartments?
HURLEY: That's inside the plane.
JACK: Yeah?
HURLEY: But, the bodies are in there, and they're all … dead.
JACK: Look, I'll handle it. Why don't you keep an eye on him … ?
HURLEY: Great. Yeah - love to - on it.
[Shot of Jack looking at the fuselage. Shot of Jack in the fuselage with a flashlight in his mouth looking at prescription bottles. He hears something moving around and quickly gets up to see what it is. Sawyer pops up.]
SAWYER: Boo.
JACK: [relieved/annoyed] What are you doing in here?
SAWYER: Trick or treat, same as you.
JACK: You're looting.
SAWYER: Aww, you say potato …
JACK: What's in the bag?
SAWYER: Booze, smokes, couple of Playboys. What's in yours?
JACK: Medicine.
SAWYER: Well, that about sums it up, don't it?
JACK: Do you do this back home, too - steal from the dead?
SAWYER: Brother, you've to got wake up and smell the bull crap here, rescue ain't comin'. You're just wasting your time. You're trying to save a guy who last time I checked had a piece of metal the size of my head sticking out of his bread basket. Let me ask you something? How many of those pills are you going to use to fix him up?
JACK: As many as it takes.
SAWYER: Yeah? How many you got? You're just not looking at the big picture, Doc. You're still back in civilization.
JACK: Yeah? And where are you?
SAWYER: Me? I'm in the wild.
--------------------------------------------------------------------------------
[Shot of Charlie sitting down on the beach while Claire struggles with a piece of luggage. Charlie gets up to help her.]
CHARLIE: Whoa, hey, I got it. I got it.
CLAIRE: Thanks.
[They put the luggage on the wheelchair.]
CHARLIE: Well, look on the bright side. Whoever's this was is probably better off than we are. I got it.
[Shot of Sun with a suitcase.]
SUN: 여기… 당신 가방 찾은 것 같아요! [Subtitle: I think I found your bag.]
JIN: 그래? 보자. 아니야. [Subtitle: Really? Let's see. No, this isn't it.]
SUN: 그럼 계속 찾아볼게요. [Subtitle: Then I'll keep looking.]
JIN: 잠깐, 이리 와 봐. 니 모습 좀 봤니? 니 옷하고 얼굴이 너무 더러워 보여. 빨리 씻어라. 자기야. 사랑해. [Subtitle: Come here. Have you seen yourself? Your clothes. You're filthy. Go wash up. Sun. I love you.]
[Scene switches back to Charlie and Claire pulling the wheelchair across the sand.]
CHARLIE: So, how's the baby?
CLAIRE: It's okay, I think.
CHARLIE: Good. So, your husband. Was he on the flight?
CLAIRE: Oh, no. I'm not married.
CHARLIE: Oh.
CLAIRE: I know - how modern of me.
CHARLIE: Well, who needs men, right? Bloody useless.
CLAIRE: [laughing] So, you guys hiked all the way up that mountain for nothing, huh?
--------------------------------------------------------------------------------
[Shot of Hurley running out of the infirmary with water bottles, and he runs into Kate.]
KATE: Hey, sorry.
HURLEY: I was going to get some more water.
KATE: We haven't met. I'm Kate.
HURLEY: Hi, Kate.
KATE: Hi.
HURLEY: Hurley.
KATE: I was just looking for Jack and I thought he might be in there.
HURLEY: Yeah, no. Uh, he went to go get some medicine … over there.
[Shot of Kate reveals a gun in her back waistband.]
KATE: Where? In the fuselage?
HURLEY: What? Yeah, in the uh, uh, you know? I've got to get that water. [Hurley runs off.]
[It starts raining and people start trying to collect rainwater, running for shelter. Shot of the Marshal. Kate come up very close - her face near his face.]
--------------------------------------------------------------------------------
[Shot of Kate at Ray's house in the pantry. She removes a panel to a secret compartment with a can of money. She takes the money. Ray turns on the light.]
RAY: The bank would have given you a heck of a toaster if you had kept that in a savings account.
KATE: What do I need a toaster for?
RAY: You're hiding your wages in a tin can, Annie. I mean, I would have held on to it for you.
KATE: I got trust issues.
RAY: Weren't you going to say goodbye?
KATE: Wrote you a note.
RAY: You've been here almost 3 months, Annie. And every time I ask you about yourself, you get that look in your eye. Yeah, that one. So, I mind my own business. I figured maybe you got off on the wrong side of a bad relationship. Maybe you ran. I always knew you'd leave here someday. I guess I hoped it wouldn't be in the middle of the night.
KATE: I'm sorry.
RAY: Yeah, so am I.
[Kate starts to leave.]
RAY: Hey, Annie, why don't you just stay one more night, eh? I'll drive you to the train station first thing in the morning. I promise.
KATE: Okay.
RAY: I get it, you know. Everyone deserves a fresh start.
--------------------------------------------------------------------------------
[Back on the island, Kate is staring at the face of the Marshal. He opens his eyes and grabs her around the neck. Jack walks in.]
Jack: Damn it. Damn it.
[Jack starts to break them up. The Marshal goes into convulsions.]
JACK: Just breathe. Come on, come on, look, look at me, look. [To Kate] What did you do?
KATE: I was just checking to if he was … he jumped on me. He grabbed me. Is he … okay?
JACK: He's not responding to antibiotics, he's bleeding internally, his fever's pushing 104. And his abdomen's rigid. He needs water.
[Jack leaves to get water, Kate follows. It's still raining.]
KATE: So, what are you going to do about it?
JACK: About what?
KATE: About him.
JACK: I told you, he needs water.
KATE: Will he suffer?
JACK: What?
KATE: Will it be quick?
JACK: No. It won't be quick. 2, 3, maybe 4 days.
KATE: And he'll feel it?
JACK: Yeah, he'll feel it.
KATE: Can't you put him out of his misery?
JACK: I saw your mug shot, Kate. I am not a murderer.
--------------------------------------------------------------------------------
[We see Kate in the truck with Ray driving along a highway.]
RAY: Do they listen to Patsy Cline in Canada?
KATE: They listen to Patsy Cline everywhere.
RAY: You hungry?
KATE: I'll eat on the train.
RAY: You sure? There's a little place up here that makes a mean burger.
[Ray looks at a car in his rearview mirror.]
KATE: What are you looking for, Ray?
RAY: What?
KATE: How long have you known?
RAY: Couple of days. I saw your picture in the post office. I guess they knew you were Down Under.
KATE: [looking hurt] Why?
RAY: The reward's 23,000 dollars. I told you when I met you, I've got a hell of a mortgage. If it makes you feel any better, it was a hard decision, Annie.
KATE: My name's not Annie.
[The truck following them speeds up to come alongside. We see the Marshal roll down his window and make a "shooting gun" gesture with his hand at Kate.]
[Back on the island, we see Kate in the rain at the beach.]
Act 4[Shot of Walt and Michael in the rain.]
MICHAEL: Hey, who was that guy you were hanging out with?
WALT: What guy?
MICHAEL: The bald guy.
WALT: Oh, Mr. Locke?
MICHAEL: Mr. Locke got any kids?
WALT: He didn't say.
MICHAEL: Yeah, what did he say?
WALT: I don't know.
MICHAEL: What do you mean you don't know. What did he say?
WALT: Some of it's secret.
MICHAEL: Did he tell you not to tell me?
WALT: No.
MICHAEL: Then what's the secret?
WALT: Mr. Locke said a miracle happened to him.
MICHAEL: Yeah, well, a miracle happened to all of us, Walt. We survived a plane crash. Look, I don't want you hanging around with him anymore.
WALT: Why not? He's my friend.
MICHAEL: Hey, I'm your friend, too.
WALT: If you were my friend, you'd find Vincent.
MICHAEL: Walt, look, I haven't given up on your dog. I'm going to do everything I can to find him.
WALT: No you won't.
MICHAEL: Yeah, Walt, I will.
WALT: You don't care about Vincent.
MICHAEL: I'm going to get your dog back as soon as it stops raining. Hey listen to me, I'm going to get your dog back. [The rain stops.]
[Shot of jungle.]
MICHAEL: [off camera at first, talking to himself] Yeah, soon as it stops raining - good, nice. I'm going to find your dog … yeah, I'm just going to go walking through the haunted damn jungle looking for your … [Michael hears something] Vincent?
[We hear some animal sounds.]
MICHAEL: Vincent? That you buddy?
[More animal growling sounds/movement. Michael takes off running. Eventually, he comes to a clearing where Sun is having a sponge bath.]
MICHAEL: Oh. Something was chasing me so, uh … I don't hear it now. But you should probably head back. [He hands her her bra.] Uh, I didn't see anything, you know, if you're worried about it … I didn't see anything.
--------------------------------------------------------------------------------
[Shot of the Marshal crying out in pain. Shot of Locke with a small piece of wood. Charlie walking by. They can hear the Marshal crying out.]
CHARLIE: What are you making?
LOCKE: Whistle.
CHARLIE: I used some tribal flutes once in a recording session. I'm in a band.
[Shot of Shannon approaching Boone.]
SHANNON: I wish he would just die already.
BOONE: Real humane, Shannon.
[Shot of Sayid walking to Jack who's getting water from the rain tarp.]
SAYID: Anything I can do to help?
JACK: No, I'm good, thanks.
SAYID: The others are getting upset. They want to know what's going on inside the tent.
JACK: Trying to save his life.
SAYID: Rumor has it you can't.
[Jack walks away without responding. We see Kate stacking logs to make a fire. Sound of Marshal moaning in the background. Kate is getting matches ready when we see a lighter being lit in the foreground.]
SAWYER: Need a light?
[Kate nods. He throws her the lighter.]
SAWYER: Came by to thank you. You going to ask what for?
KATE: What for?
SAWYER: For taking that gun away from me.
KATE: I didn't take it away from you.
SAWYER: It's sticking out of your denims, ain't it? I sure wouldn't want to be the one with that gun right now. Because everyone sitting out there listening to that poor boy scream all night knows what's got to be done. Only one that can do it is the one with that gun. Don't act so surprised. I heard you tell the hero the same thing. Hell, there's only one bullet left - be damned near poetic.
[Shot of the Marshal in a lot of pain. Jack gives him some water.]
MARSHAL: Listen to me.
JACK: No, you need to keep quiet.
MARSHAL: Listen to me, no matter what she does - no matter how she makes you feel, don't you trust a word that she says. She will do anything to get away.
JACK: What did she do?
MARSHAL: I want to talk to her.
JACK: Tell me what she did.
MARSHAL: I want to talk to her, alone. [Jack just looks at him.] She got to you, too, huh?
Act 5[Shot of Kate approaching the infirmary with the gun in her jeans. Sound of the Marshal moaning.]
[FLASHBACK]
[We see the Marshal making the "gun shooting" hand gesture at Kate in the truck again. Car chase ensues, and Kate grabs the wheel of Ray's truck forcing them off the road, overturning. The car catches fire and Kate pulls Ray to safety. She pulls his artificial arm off while dragging him to the side of the road.]
MARSHAL: [pointing his gun at Kate's head] Hey, Kate.
[Shot of Kate back on the island in the tent with the Marshal.]
MARSHAL: What was it?
KATE: What?
MARSHAL: The favor.
KATE: I don't know what you're talking about.
MARSHAL: The last thing I heard before the crash - you wanted a favor.
[Flashback to plane crash during heavy turbulence.]
KATE: I have one favor to ask.
MARSHAL: Really? This ought to be good.
[Sudden extreme turbulence. The case hits the Marshal in the head. The tail breaks off.]
MARSHAL: [back on the island] Well?
KATE: I wanted you to make sure that Ray Mullen got his 23 grand.
MARSHAL: What—the guy who ratted you out?
KATE: He had a hell of a mortgage.
MARSHAL: You really are one of a kind. You know, you would have got away if you hadn't saved him.
KATE: In case you hadn't noticed, I did get away.
MARSHAL: You don't look free to me. Kate, I'm going to die, right?
KATE: Yeah.
MARSHAL: So, are you going to do it, or what?
[Shot of Jack looking out to sea at night. Hurley approaches.]
HURLEY: Yo, so, where's the fugitive?
JACK: In the tent.
HURLEY: You let her in there alone?
JACK: What's she going to do? She's 120 pounds soaking wet.
HURLEY: Yeah, but she's got that gun.
JACK: What?
HURLEY: She's strapped, man. I saw it in her… in her… in her… in her…
[Jack runs toward the infirmary. He sees Kate leaving.]
JACK: Kate?!
[They hear a gun shot. Kate walks away. Sawyer comes walking out with the gun.]
JACK: What did you do?
SAWYER: What you couldn't. Look, I get where you're coming from being a doctor and all, but he wanted it. Hell, he asked me. So, I don't like it any more than you do, but something had to be done.
[Sound of choking sounds come from the infirmary tent.]
HURLEY: Oh, no way. Guys?
[Jack and Sawyer go back in the tent. Jack tries to stop the bleeding.]
JACK: You shot him in the chest?
SAWYER: I was aiming for his heart.
JACK: You missed.
HURLEY: [from the entrance of the tent] Man, is he still breathing?
JACK: You perforated his lung. It'll take hours to bleed out.
SAWYER: So what is—I only had one bullet.
JACK: Get out. Get out!
HURLEY: [leaving] Oh boy.
[Sawyer leaves feeling bad, and tries to light a smoke but the lighter doesn't light. He throws the cigarette away.]
SAWYER: Damn it!
[The Marshal's sounds of pain stop. Jack walks out of the tent.]
editAct 6[Shot of Locke sitting on the beach blowing his whistle. Vincent shows up. Locke wakes Michael up but quiets him so as not to wake up Walt.]
LOCKE: I found your son's dog.
MICHAEL: What?
LOCKE: Vincent-I tethered him to a tree just over there. I know that Walt lost his mom. I thought that you should be the one to bring his dog back to him.
MICHAEL: Hey, thanks.
LOCKE: Welcome.
[Shot of Jack looking out to sea. Kate joins him.]
KATE: I want to tell you what I did - why he was after me.
JACK: I don't want to know. It doesn't matter, Kate, who we were - what we did before this, before the crash. It doesn't really—3 days ago we all died. We should all be able to start over.
KATE: Okay.
JACK: Okay.
[Hurley listening to his headphones. Jin looking at a sleeping Sun, touching her hair. Boone gives sunglasses to Shannon. Sayid with an apple, tosses it to Sawyer. Charlie writing "late" on his finger tapes. Claire sitting on the beach. Michael bringing Vincent to Walt with Locke looking on—nice song fades to creepy music.]
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Re: Lost Transcripts
by Dragiiin123 5/31/2010, 6:52 pm
If I want Lost Transcripts, I'd go on the Lost Wiki.
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Re: Lost Transcripts
by webizoid345 5/31/2010, 7:21 pm
But if you didn't want toi go to a different website, you would go here.Dragiiin123 wrote:If I want Lost Transcripts, I'd go on the Lost Wiki.
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Re: Lost Transcripts
by that70sguy92 7/6/2010, 3:08 pm
Don't need more anymore anyways.webizoid345 wrote:Okay, you get moar! Coming later today!!!
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